Sleepless in Seattle (1993) When Sam Baldwin's (Tom Hanks) wife dies, he decides to move to Seattle with his son, Jonah. When Jonah sees how sad his father is, he calls a radio psychiatrist, who dubs him Sleepless in Seattle cause Jonah says he can't sleep. Sleepless in Seattle Written by the woman who gave us When Harry Met Sally and You’ve Got Mail, Nora Ephron’s Sleepless in Seattle combines romance and New York City like few others. With references to the movie classic, An Affair to Remember, including a moment atop the Empire State Building, this is an instant romantic comedy for the ages.
Self-consciousness infects Nora Ephron's sweet but perilously thin love story, Sleepless in Seattle...such are the perils of these postmodernist times: even our love stories feed off borrowed emotion.
Mostly, Sleepless in Seattle leaves you feeling restless in the audience.
If one can ignore all the straining for lightness here, this is watchable enough, though hardly anything resembling a tearjerker.
Ephron and fellow writers Jeff Arch and David S. Ward have conspired to make Sleepless in Seattle as purposefully schmaltzy as one can imagine, in a manner that's almost cynical.
It's easily the hippest, frankest and funniest date movie around.
The schmaltzy soundtrack is overdone, but cameraman Sven Nykvist wraps it all up in an appropriately warm glow.
Nora Ephron's Sleepless in Seattle is a feather-light romantic comedy about two lovers who meet for the first time in the last reel. It's a stunt, but it's a stunt that works far more effectively than anybody in his right mind has reason to expect.
We fall -- and I think a lot of people will fall hard for this movie -- even though we know we shouldn't.
This is a dreamy, romantic fantasy whose mood falls somewhere between magic and reality.
A quick check of the exiting audience found many smiling -- and still clutching tissues.
Sleepless in Seattle is as ephemeral as a talk show, as contrived as the late show, and yet so warm and gentle I smiled the whole way through.
Substantially better, funnier, smarter, and more impeccably-controlled than almost everything that came in its wake.
While I have returned to watch my favourite moments play out again and again, I am always rewarded by the subtlety and beauty in the scenes I don't remember.
...a decent drama that never entirely lives up to its place as a classic romcom...
A movie to which director and co-writer Nora Ephron brought her terrific flair, wit and nous, although she propagates the terrifying fallacy that a widower makes a wonderful romantic catch.
Nora Ephron's fictional universe is no less magical than the romance films it references, yet she imbues the film with a self-awareness that remains rewarding in spite of its contradictions.
Common Sense Media
1/1/2011 by Common Sense Media Editors
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